May 23, 2010
May 22, 2010
Published 1821 (this version) I think there were earlier ones.
Be as wise as serpents, and as harmless as doves.
This is a quite fascinating book -and I love the idea that a parent would buy their son this book, shove it into his hands and probably consider that was their responsibility dealt with.
Here’s the contents. I don’t even know what some of this stuff MEANS.
I took some time today and converted a few of the prices Kat shared with us from A Young Man’s Companion. I had to use 1830 values and a conversion date of 2008, but it still gives us an idea of the relative value of these items today. If I made any mistakes in the calculations, I apologize. I rechecked them before posting but I was never very good at math!
2 dozen of men’s 2-thread alted thread stockings…2. 8.0
£182.26/$338.02 or £7.60/$14.08 a pair
2 dozen of ditto 3-thread fine marble ditto… 4. 4.0
£318.95/$591.52 of £13.30/$24.65 a pair
9 six-thread superfine breeches, at 10s6d… 4.14.6
£358.82/$665.47 or approx £40/$74 a pair
6 four-thread superfine ditto, at 7s 6d…. 2. 5.0
£170.86/$316.88 or £28.48/$13.20 a pair
6 pair of silk ribbed stockings, stout at 14s… 4. 4.0
£318.95/$591.52 or £53.16/$98.59 a pair
6 pair of spun silk stockings at 5s6d…. 1.13
£125.30/$232.38 or £20.88/$38.73 a pair
15 yards of flowered ribband, at 2s…. 1.10.0
£113. 91/$211.26 or £7.59/$14.08 a yard
2 pair of chicken gloves, at 7s. 6d…. 0.15.0
£56.96/$105.64 or £28.48/$52.82 a pair
4 pair of fine lamb ditto, at 2s. 4d….. 0. 7.0
£26.58/$49.30 or £6.65/$12.33 a pair
2 fans, French mounts at 3s. 6d. …. 0. 7.0
£26.58/$49.30 or £13.29/$24.65 per fan
6 yards of Mechlin lace, at 12s …. 3.12.0
£273.38/$507.01 or £45.56/$84.50 per yard
1 Gauze cap and trimmings ….. 1. 2.0
May 21, 2010
Posted by Erastes
I’m proud to introduce you to Last Gasp – a four novella anthology of gay historical romance published by Noble Romance.
The book is available as an ebook at the moment, but will be out in print at some point, if not this year, definitely next.
When Noble Romance approached me about collating a gay historical anthology I was a little stumped, I knew I needed a theme but wasn’t sure what. Chris Smith suggested “civilisations on the brink of change–a last gasp kind of idea” which I knew was perfect.
The stories I had submitted — particularly the three I chose to accompany mine — surprised me. I was expecting the obvious “lost civilisations” like the Incas or the Deep South pre the American Civil War, but I didn’t get those. After all, I suppose all civilisations are lost, aren’t they?
Still, I think you will enjoy the stories–they are all from eras and places on the globe that haven’t been dealt with before: Syria in the Edwardian era, the Yukon Gold Rush in 1898, Hong Kong’s first Opium war in the 1830′s, and Italy between the two world wars.
Here’s the blurbs of the stories:
Tributary by Erastes
It’s 1936 and a generation of disaffected youth waits in the space between a war that destroyed many of their friends and family, and a war they know is bound to come. Guy Mason wanders through Italy, bored and restless for reasons he can’t even name, and stops at the Hotel Vista, high in the mountains of Lombardy. There, he meets scientist James Calloway and his secretary, Louis Chambers, and it’s there that the meandering stream of Guy’s life changes course forever.
The White Empire by Chris Smith
Edgar Vaughan sincerely believes that six-thousand miles is enough to give him a fresh start. Escaping in 1838 from the drawing rooms of Belgravia and the constraints of his landed family, he takes up missionary work in the trading post of Hong Kong. On arrival, he finds the region on the cusp of war; the Chinese Emperor has outlawed the importation of opium — the key link in the trade of the East India Company. Between Edgar’s sense of isolation, the sight of the puling opium addicts, and one memorable encounter with a man in a peacock waistcoat, Edgar finds himself embroiled in the very marrow of the British Empire’s machinations. He finds himself torn between espousing the expeditious whilst protecting his new acquaintance, and doing what is right and risking the wrath of the British Empire.
Sand by Charlie Cochrane
“Safe upon solid rock the ugly houses stand: Come and see my shining palace built upon the sand.”
People come to Syria for many reasons; tourism, archaeology, or because they need to leave Edwardian England to escape potential disgrace. Andrew Parks is one of those, burying past heartache and scandal among the tombs.
Charles Cusiter has travelled here as well, as chaperone to a friend whose fondness for the opposite sex gets him into too much trouble at home. Out in the desert there aren’t any women to turn Bernard’s head – just the ubiquitous sand.
The desert works its magic on Charles, softening his heart and drawing him towards Andrew. Not even a potentially fatal scorpion sting can overcome the power this strange land exerts.
The Ninth Language by Jordan Taylor
Thousands of outsiders descend on Canada’s Yukon Territory during the 1898 gold rush, wreaking havoc on the landscape and the indigenous people who live there. Amid the backdrop of this once pristine land, a man struggling against the destruction of his home and culture finds himself indebted to one of the men causing it. These two strangers discover solace and wholeness where they least expect it: each other.
Want to know more? All four authors will be over at the Speak Its Name yahoo group today, sharing excerpts doing giveaways, asking questions and answering any questions you may have! We’ll also be offering a giveaway of the anthology during the chat – but I’ll also offer one here, to one commenter. All you need to do is comment and I’ll announce the winner in 24 hours.
Hope to see you at the chat later – starts at 12 noon UK time!
May 18, 2010
As Erastes’ post on Gay Historical Art is consistently our most popular post to date I thought I would do a follow on with some of my own favourites.
Clicking on past the cut indicates that you are old enough in your own country to see images of nudity and some sexual content.
May 15, 2010
May 13, 2010
* Sadly not yet published by Mills and Boon.
* Covers. Started naff – getting better all the time.
* There’s not enough of it, for a start.
* Some Gay Historicals address the very real problems of being gay in a time when it wasn’t just unacceptable, it was reviled and illegal. (Basically after Christianity kicked in) However, there were times when man on man love wasn’t just acceptable, it was a normal part of everyday life. (Οι Έλληνες είχαν μια λέξη για το έργο)
* Thankfully, due to pronouns they are not called things like “The Mediterranean Tycoon’s Depraved Heiress” (With thanks to the Random Romance Title Generator)
Not too different from the heroes in other historical romances. They are generally aristocratic (tall and handsome goes without saying – plus they are ALWAYS – always hung like horses, this is the law.)
THE, er, OTHER HEROES
Now here you can play around a little. You can either make your other hero a match for your arrogant alpha in every sense of the word (and sit back and watch those sparks fly and those buttons go flying (gotta have flying buttons, more later) OR you can create a sensitive little soul. A downtrodden artist, perhaps, or an impoverished tutor. A kidnapped sex slave or an abused and rescued young man. As long as you get a vast gulf between your alpha and your omega, it doesn’t really matter. Any excuse to make that boy cry his little heart out because the rough tough alpha doesn’t know how to handle him. Or rather – he doesn’t know how to handle his feelings – he knows how to handle him all right. (hur hur)
* UST. (No, no, not there, Unresolved Sexual Tension. Buckets and buckets of it. “I’m homosexual!++ Argh! God he’s pretty. I wonder if he’s homosexual too? How can I let him know? What if he’s not? All right… so he is – he’s sleeping with Lord [Whossit] – how can I get him?”A writer of gay historicals have immense fun torturing her characters – making every glance count, and when one’s passing the port (to the left, of course) at dinner, fingertips are just bound to brush against each other.
* It’s much easier to get men together on a day-to-day basis. Whereas a hetero historical writer will have to write about dances, and chaperones and perhaps elopements men can simply hang out with each other, ride in each other’s carriages (and no, that’s not a euphemism!) without anyone fainting or ruining anyone’s reputation. Of course it’s pretty difficult to get them into sexual situation, but that’s another post…
* Buttons! Ok, Is it just me and the buttons?
* Appreciating that the author knows exactly what the difference is between a sailor’s whipping and a double fisherman but that you don’t need to know anything as silly as long as the hero gets tied up.
* Sponge baths.
* Cocks! (sorry, but it did have to be said.) Lots of ‘em. Members, yards, rods, poles, perches, arbor vitae, gaying instrument. (yes, really.)
TOP TIP: beige…biscuit…blasé bleeding anachronisms
Check check check. You may think that it’s all right to say your hero’s breeches are beige but it wasn’t so and any eagle eyed reader will Mock You. They will, however realise if you are trying and make a small slip-up, but they won’t appreciate sloppy (or no) research, modern day speech patterns and contemporary men in fancy dress.
WHAT NOT TO SAY
* “Where’s the lube?”
* He climaxed, spunk spurting over his fingers.
* “I want to fuck his sweet hairy ass.”
WHAT TO SAY
* “Spit, and have done, man.” (other lubricants are available…)
* GOOD LORD, SHAG HIM ALREADY!
* I’m learning something! Oooo… cocks….
Over to you…
* What gay historicals would you like to see?
* What cliches are you sick of?
* Do you want better covers?
* Anything else?
(Previously published on Lust Bites)
May 9, 2010
Last week I read a discussion on a mailing list in which an author asked for opinions on mpreg. It’s not a genre I pay much attention to, not since a scarring experience several years ago with a LOTR fanfic involving Legolas and Aragorn, but the recent discussion reminded me of what could possibly be the very first recorded mention of mpreg in literary history.
As with most non-fandom examples, the context is science fiction… of a sort. The author is Lucian of Samosata (c.125-180), a noted satirist who wrote dozens of rude and witty works, many of which served as a somewhat caustic commentary on the religious, political, and social mores of the provinces of the Roman Empire. In particular he poked fun at the beliefs of the Greeks, especially in his romance (in the oldest sense of the word!) A True Story—a spoof travelogue that’s regarded as the earliest known sci-fi text.
In his prologue, Lucian informs his readers that they’re about to read a bunch of fibs. He’s read so many stories purporting to tell the truth when they blatantly tell lies that he’s decided to have a go at writing his own completely fictional worlds:
I did not find much fault with [several named Classical authors, including Homer] for their lying, as I saw that this was already a common practice even among men who profess philosophy. I did wonder, though, that they thought they could write untruths and not get caught at it. Therefore, as I myself, thanks to my vanity, was eager to hand something down to posterity, that I might not be the only one excluded from the privileges of poetic licence, and as I had nothing true to tell, not having had any adventures of significance, I took to lying. But my lying is far more honest than theirs, for though I tell the truth in nothing else, I shall at least be truthful in saying that I am a liar.
Thus warned of the falsehoods awaiting them, the readers plunge into a crazy adventure in which Lucian and his heroic companions sail through the Pillars of Hercules and are blown off-course. Their ship is carried into the air by a giant waterspout and they land on the Moon, where they get involved in a war between the Moonites and their arch-enemies, the people inhabiting the Sun, over the rights to colonise the Morning Star.
Like any good travel writer, Lucian spends some time observing the inhabitants of the Moon and Sun. He writes about soldiers who fly on three-headed vultures, a bird made of grass with lettuce leaves for wings, archers mounted on gigantic fleas, infantrymen armed with mushroom shields and asparagus spears, and dog-faced men who fight from the back of winged acorns. During the war, Lucian is taken captive by the Sun armies but is later released, to the delight of the King of the Moon:
He wanted me to stay with him and join the colony, promising to give me his own son in marriage—for there are no women in their country.
Lucian goes on to describe gay marriage and mpreg amongst the Moonites:
First of all, they are not born of woman but of man; their marriages are of male and male, and they do not even know the word ‘woman’ at all. Up to the age of twenty-five they all act as females, and thereafter as husbands. Pregnancy occurs not in the womb but in the calf of the leg, for after conception the calf grows fat. After a time they cut it open and bring out a lifeless body, which they lay with its mouth open facing the wind, and thus it comes to life.
This section of A True Story is an artful commentary on Greek modes of life, specifically the tall tales of armchair historians such as Herodotus (known as the ‘Father of Lies’ for the inclusion of various mythological creatures and races in his history of the Persian Wars), and homosexuality within a given set of social constraints—age, in this case, which suggests that Lucian is modelling his Moonite society on the particular ‘state sanctioned’ form of homosexuality practiced in classical Athens, flourishing some 500 years before Lucian wrote his story.
It also takes a swipe at religion and mythology, pointing to the peculiar nascence of some of the gods (the Moonites being born from the calf seems to be a reference to Dionysos, who was born from Zeus’ thigh), and it also dismisses the philosophy of wind-fertilisation, an ancient belief first recorded in the Iliad that was considered ‘probable’ by no less an authority than Aristotle, who believed the wind could influence the gender of an unborn child.
The young Moonites are born dead; their life comes only from the wind, which, according to popular beliefs right across the ancient world, teems with the souls of those already passed into the afterlife. This neatly attacks both the philosophical element and the homosexual, suggesting that a male-male union is sterile and needs outside support in order to generate future lives, while dismissing as a fantasy the whole concept of wind-fertilisation.
Like all writers, Lucian had a point or two to make with his works. While those who write mpreg today in a sci-fi or fannish context may do so from an interest in gender equality, Lucian was more concerned with raising a laugh amongst his audience, albeit with a sly didactic twist:
Men interested in athletics and in the care of their bodies think not only of condition and exercise but also of relaxation in season; in fact, they consider this the principal part of training. In like manner students, I think, after much reading of serious works, may profitably relax their minds and put them in better trim for future labour. It would be appropriate recreation for them if they were to take up the sort of reading that, instead of affording just pure amusement based on wit and humour, also boasts a little food for thought.
Read Lucian’s A True Story in all its mad glory here. The m/m Moonites can be found at Book I.22 of the text.